Ladoo Gopal ji Sewa as per Temple Standard

What I know about deity worship at home (and that applies to Laddu Gopal seva also) is that whatever standard of worship you set in your house, you have to maintain. When the lord comes to our house in the form of deity, He adjusts as per the schedule and capacity of the householder. But when the lord appears in the temple, then everything revolves around Him and has to be as per His timings. One more thing I have heard but still to be able to apply fully is – when there are deities in the temple and you are serving in the temple, then the temple deities take precedence over the home deities. One has to give more importance to temple deities (esp on festivals).

Now how to serve Laddu Gopal ji in the house  – you can start by keeping a very minimal standard and increase as and when the desire comes and the buy in is there from all the family members, instead of starting as if its a temple and then the entire routine becomes cumbersome and a drudgery for everyone. We shoudl do whatever we do with love – that is important. There shoudl be minimum one arati a day, min one bhoga a day. You can increase to 2 -3 aratis and bhoga as many times as food is cooked in the house.

Now I will tell you the ideal – do mangalarati (not necessary because the lord is a baby in your house, may need to sleep till 8.00 am like Banke Bihari Lal Ju of Vrindavan), do sandhya arati, do tulsi puja twice a day. Offer whatever you cook or eat to the lord and take only remnants of maha prasad. Keep the lord’s utensils and wiping cloth, cleaning soap/ detergent/ vim bar separate and do not use for any other purpose. Shringar/ abhishek can be done daily, twice a day or once in a fornight – every ekadasi or every alternate weekend, as per convenience. Put the lord to sleep every night (approx same time every night) and you may put some laddoo and water (both covered) for night time snack if He feels hungry at night. Remove the flute and crown when you put Him to sleep. Remove whatever flowers you put during puja at sleep time. You can even get a small bed for Him to sleep in. You can tuck Him in each night and wake Him up (approx same time everday) in the morning. The clothes shoudl be as per the weather – light non jari cotton clothes for summer, grand jari clothes for ocassions, woollens for winters.

Follow your local temple – do chandan seva on akshay tritiya, continue for 21 days, do jhoolan for janmashtami, set up a separate damodar during kartik. If they are doing lotus offering in summer, jal vihar – whatever you can follow in your house, you can do as per interest, time, capacity and cooperation of family members. My firm belief is that if you fight with family members and then do seva, that seva is not accepted. Better to serve internally and with mind, rathar than pick up fights and then serve, telling yourself you are the only devotee.

When you have time, sing kirtans in front of the lord, read Bhagawatam in front of the lord. Keep on looking at Him, admiring Him, sharing with Him what you did the whole day, your thoughts and feelings, laugh with Him, cry with Him. The best part is – everything is service and He accepts everything.

Enjoy serving the lord. Love Him and make Him the centre of your life.

The most important thing I am saying at the end – give up ownership of your house. Mentally, transfer the ownership of your house to Laddu Gopal – stay in your house as if you are His servant. Keep the altar area especially clean.

“Jai Shree Radhe”

The Gopis Attracted by the Flute

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Krsna was very pleased with the atmosphere of the forest where flowers bloomed and bees and drones hummed very jubilantly. While the birds, trees and branches were all looking very happy, Krsna, tending the cows, accompanied by Sri Balarama and the cowherd boys, began to vibrate His transcendental flute. After hearing the vibration of the flute of Krsna, the gopis in Vrndavana remembered Him and began to talk amongst themselves about how nicely Krsna was playing His flute. When the gopis were describing the sweet vibration of Krsna’s flute, they also remembered their pastimes with Him; thus their minds became disturbed, and they were unable to describe completely the beautiful vibrations. While discussing the transcendental vibration, they remembered also how Krsna dressed, decorated with a peacock feather on His head, just like a dancing actor, and with blue flowers pushed over His ear. His garment glowed yellow-gold, and He was garlanded with a vaijayanti necklace. Dressed in such an attractive way, Krsna filled up the holes of His flute with the nectar emanating from His lips. So they remembered Him, entering the forest of Vrndavana, which is always glorified by the footprints of Krsna and His companions.

Krsna was very expert in playing the flute, and the gopis were captivated by the sound vibration, which was not only attractive to them, but to all living creatures who heard it. One of the gopis told her friends, “The highest perfection of the eyes is to see Krsna and Balarama entering the forest and playing Their flutes and tending the cows with Their friends.”

Persons who are constantly engaged in the transcendental meditation of seeing Krsna, internally and externally, by thinking of Him playing the flute and entering the Vrndavana forest, have really attained the perfection of samadhi. Samadhi (trance) means absorption of all the activities of the senses on a particular object, and the gopis indicate that the pastimes of Krsna are the perfection of all meditation and samadhi. It is also confirmed in the Bhagavad-gita that anyone who is always absorbed in the thought of Krsna is the topmost of all yogis.

Another gopi expressed her opinion that Krsna and Balarama, while tending the cows, appeared just like actors going to play on a dramatic stage. Krsna was dressed in glowing garments of yellow, Balarama in blue, and They held new twigs of mango tree, peacock feathers, and bunches of flowers in Their hands. Dressed with garlands of lotus flowers, They were sometimes singing very sweetly among Their friends. One gopi told her friend, “How is it Krsna and Balarama are looking so beautiful?” Another gopi said, “My dear friend, we cannot even think of His bamboo flute–what sort of pious activities did it execute so that it is now enjoying the nectar of the lips of Krsna?” Krsna sometimes kisses the gopis; therefore the transcendental nectar of His lips is available only to them, and His lips are considered their property. Therefore the gopis asked: “How is it possible that the flute, which is nothing but a bamboo rod, is always engaged in enjoying the nectar from Krsna’s lips? Because the flute is engaged in the service of the Supreme Lord, the mother and the father of the flute must be happy.”

The lakes and the rivers are considered to be the mothers of the trees because the trees live simply by drinking water. So the waters of the lakes and rivers of Vrndavana were full of happy lotus flowers because the waters were thinking, “How is it our son, the bamboo rod, is enjoying the nectar of Krsna’s lips?” The bamboo trees standing by the banks of the rivers and the lakes were also happy to see their descendant so engaged in the service of the Lord, just as persons who are advanced in knowledge take pleasure to see their descendants engage in the service of the Lord. The trees were overwhelmed with joy and were incessantly yielding honey, which flowed from the beehives hanging on the branches.

Sometimes the gopis spoke thus to their friends about Krsna: “Dear friends, our Vrndavana is proclaiming the glories of this entire earth because this planet is glorified by the lotus footprints of the son of Devaki. Besides that, when Govinda plays His flute, the peacocks immediately become mad. When all the animals and trees and plants, either on the top of Govardhana Hill or in the valley, see the dancing of the peacock, they all stand still and listen to the transcendental sound of the flute with great attention. We think that this boon is not possible or available on any other planet.” Although the gopis were village cowherd women and girls, they had knowledge of Krsna. Similarly, one can learn the highest truths simply by hearing the Vedas from authoritative sources.

Another gopi said, “My dear friends, just see the deer! Although they are dumb animals, they have approached the son of Maharaja Nanda, Krsna. Not only are they attracted by the dress of Krsna and Balarama, but as soon as they hear the playing of the flute, the deer, along with their husbands, offer respectful obeisances unto the Lord by looking at Him with great affection.” The gopis were envious of the deer because the deer were able to offer their service to Krsna along with their husbands. The gopis thought themselves not so fortunate because whenever they wanted to go to Krsna, their husbands were not very happy.

Another gopi said, “My dear friends, Krsna is so nicely dressed that He appears to be the impetus to various kinds of ceremonies held by the womenfolk. Even the wives of the denizens of heaven become attracted after hearing the transcendental sound of His flute. Although they are traveling in the air in their airplanes, enjoying the company of their husbands, on hearing the sound of Krsna’s flute, they immediately become perturbed. Their hair is loosened and their tight dresses are slackened.” This means that the transcendental sound of the flute of Krsna extended to all corners of the universe. Also, it is significant that the gopis knew about the different kinds of airplanes flying in the sky.

Another gopi said to her friends, “My dear friends, the cows are also charmed as soon as they hear the transcendental sound of the flute of Krsna. It sounds to them like the pouring of nectar, and they immediately spread their long ears just to catch the liquid nectar of the flute. As for the calves, they are seen with the nipples of their mothers pressed in their mouths, but they cannot suck the milk. They remain struck with devotion, and tears glide down their eyes, illustrating vividly how they are embracing Krsna heart to heart.” These phenomena indicate that even the cows and calves in Vrndavana knew how to cry for Krsna and embrace Him heart to heart. Actually, Krsna conscious affection can be culminated in shedding tears from the eyes.

A younger gopi told her mother, “My dear mother, the birds, who are all looking at Krsna playing on His flute, are sitting very attentively on the branches and twigs of different trees. From their features it appears that they have forgotten everything and are engaged only in hearing Krsna’s flute. This proves that they are not ordinary birds; they are great sages and devotees, and just to hear Krsna’s flute they have appeared in Vrndavana forest as birds.” Great sages and scholars are interested in Vedic knowledge, but the essence of Vedic knowledge is stated in the Bhagavad-gita: vedais ca sarvair aham eva vedyah. Through the knowledge of the Vedas, Krsna has to be understood. From the behavior of these birds, it appeared that they were great scholars in Vedic knowledge and that they took to Krsna’s transcendental vibration and rejected all branches of Vedic knowledge. Even the river Yamuna, being desirous to embrace the lotus feet of Krsna after hearing the transcendental vibration of His flute, broke her fierce waves to flow very nicely with lotus flowers in her hands, just to present flowers to Mukunda with deep feeling.

The scorching heat of the autumn sunshine was sometimes intolerable, and therefore the clouds in the sky appeared in sympathy above Krsna and Balarama and Their boy friends while They engaged in blowing Their flutes. The clouds served as a soothing umbrella over Their heads just to make friendship with Krsna. The wanton aborigine girls also became fully satisfied when they smeared their faces and breasts with the dust of Vrndavana, which was reddish from the touch of Krsna’s lotus feet. The aborigine girls had very full breasts, and they were also very lusty, but when their lovers felt their breasts, they were not very satisfied. When they came out into the midst of the forest, they saw that while Krsna was walking, some of the leaves and creepers of Vrndavana turned reddish from the kunkuma powder which fell from His lotus feet. His lotus feet were held by the gopis on their breasts, which were also smeared with kunkuma powder, but when Krsna travelled in the Vrndavana forest with Balarama and His boy friends, the reddish powder fell on the ground of the Vrndavana forest. So the lusty aborigine girls, while looking toward Krsna playing His flute, saw the reddish kunkuma on the ground and immediately took it and smeared it over their faces and breasts. In this way they became fully satisfied, although they were not satisfied when their lovers touched their breasts. All material lusty desires can be immediately satisfied if one comes in contact with Krsna consciousness.

Another gopi began to praise the unique position of Govardhana Hill in this way: “How fortunate is this Govardhana Hill, for it is enjoying the association of Lord Krsna and Balarama who are accustomed to walk on it. Thus Govardhana is always in touch with the lotus feet of the Lord. And because Govardhana Hill is so obliged to Lord Krsna and Balarama, it is supplying different kinds of fruits, roots and herbs, as well as very pleasing crystal water from its lakes, in presentation to the Lord.” The best presentation offered by Govardhana Hill, however, was newly grown grass for the cows and calves. Govardhana Hill knew how to please the Lord by pleasing His most beloved associates, the cows and the cowherd boys.”

Another gopi said that everything appeared wonderful when Krsna and Balarama travelled in the forest of Vrndavana playing Their flutes and making intimate friendship with all kinds of moving and nonmoving living creatures. When Krsna and Balarama played on Their transcendental flutes, the moving creatures become stunned and stopped their activities, and the nonmoving living creatures, like trees and plants, begin to shiver with ecstasy.

Krsna and Balarama carried binding ropes on Their shoulders and in Their hands, just like ordinary cowherd boys. While milking the cows, the boys bound the hind legs with a small rope. This rope almost always hung from the shoulders of the boys, and it was not absent on the shoulders of Krsna and Balarama. In spite of Their being the Supreme Personality of Godhead, They played exactly like cowherd boys, and therefore everything became wonderful and attractive.

While Krsna was engaged in tending the cows in the forest of Vrndavana or on Govardhana Hill, the gopis in the village were always absorbed in thinking of Him and discussing His different pastimes. This is the perfect example of Krsna consciousness: to somehow or other remain always engrossed in thoughts of Krsna. The vivid example is always present in the behavior of the gopis; therefore Lord Caitanya declared that no one can worship the Supreme Lord by any method which is better than the method of the gopis. The gopis were not born in very high brahmana or ksatriya families; they were born in the families of vaisyas, and not in big mercantile communities but in the families of cowherd men. They were not very well educated, although they heard all sorts of knowledge from the brahmanas, the authorities of Vedic knowledge. The gopis’ only purpose was to remain always absorbed in thoughts of Krsna.

“Jai Shri RadheKrishna”

Radha’s wonderful beauty

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Sri Krishna praised Srimati Radharani:

“My dear Radha, Your curling locks of hair, long restless eyes, firm breasts, slender waist, shyly lowered head, creeper-like arms and jewel-like fingernails are all exquisitely beautiful. The jubilant festival of Your beauty makes the three worlds tremble in transcendental bliss”.

“The beauty of Srimati Radharani’s eyes forcible devours the beauty of the newly grown blue lotus flower, and the beauty of Radha’s face surpasses that of an entire forest of fully blossomed lotuses. Radha’s bodily luster seems to place even gold in a painful situation. Thus the wonderful unprecedented beauty of Srimati Radharani is awakening in Vrindavana”. (Vidagdha-madhava)

“Entwining this way and that with decorations of fresh forest flowers, and bound and tied up with jewel-threads; Adorned with jasmine garlands of exotic fragrance and hanging down very best of noble gemstones; Your hair style arranged by the hand of Hari, will I ever see it, Oh Radhe?

“Teeth like rows of pearls and lovely lips like bimba berries; Thin waist, wide hips and a deep navel like a whirlpool of newer youth; This indescribable lover – the very heart of the cleverest maidens – May Radha protect us!

“Oh moon-faced one! O doe-eyed one! O Goddess! Oh lovely-nosed one! O one with reddish lips! O sweet smiler! O Supreme Laksmi! O creeper-armed one! O lustrous one of conch shell-smooth neck! O one with plantain tree shaped thighs! Oh whose collection of lotus toenails brightly illuminates all directions! When, Oh Radhe, will You be worshipped by me?”

Radha’s wonderful beauty:

Srimati Radharani is fifteen years old and full of the luster of youth. Radha is expert in all the sixty-four fine arts and Her transcendental form is like an ocean of nectar. Radha’s splendid bodily luster is like molten gold or stationary lightning. Radha wears wonderfully beautiful blue garments, and She is decorated with various pearls and flowers. Gandharvika (Radha) is very beautiful, and has long, nicely braided hair. Radha’s splendid forehead is decorated with the red pigment, sindura, and with beautiful locks of curling hair.

Decorated with blue bangles, Sri Radha’s arms have defeated Cupid’s staff with their beauty. Decorated with black mascara, Radhika’s expanded lotus eyes are the most beautiful in all the three planetary systems.

Radhika’s nose if as beautiful as a sesame flower and the tip is nicely decorated with a pearl. Anointed with carious perfumes, Sri Radha is splendidly beautiful. Radha’s ears are decorated with wonderful earrings and Her nectarean lips defeat red lotus flowers. Srimati Radharani’s teeth are a row of pearls and Her tongue is very beautiful.

Decorated with a smile of pure love for Krishna, Radha’s beautiful face is as splendid as millions of moons. The beauty of Radhika’s chin has defeated and bewildered Cupid. Decorated with a drop of musk, Radha’s chin appears like a golden lotus flower with a bumblebee.

Bearing all the marks of wonderful beauty, Radha’s neck, back and sides are enchantingly gorgeous. Radhika’s breast is like splendid golden waterpots covered by a bodice decorated with a pearl necklace. Srimati Radharani’s beautiful enchanting arms are two red lotus flowers illuminated by the series of moons that are Her fingernails.

Jeweled rings decorate Radha’s splendidly beautiful fingers. Charming, full of sweet nectar, and decorated with a deep navel, Sri Radha’s beautiful waist enchants the three worlds. Radhika’s sloping hips lead to Her charmingly beautiful slender waist which is bound by a creeper of three beautiful folds of skin and decorated with a sash of tinkling bells.

As beautiful as two exquisite plantain trees, Sri Radha’s thighs enchant the mind of Cupid. Sri Radha’s beautiful knees are two reservoirs filled with the nectar of various transcendental pastimes. Radha’s beautiful feet are decorated with jeweled ankle-bells, and Her toes with toe rings as beautiful as the treasure of Varuna. (RKG)


Sri Radha’s Gold and Flower Ornaments:

Srimati Radharani wears twelve different ornaments on Her transcendental form. These ornaments which include Radha’s crown, earrings, belt, ankle-bells, finger and toe rings, armlets, and jewel necklaces that look like strings of stars are all fashioned from pure gold; they appear like myriad shining suns. Sri Radha wears a locket containing a picture of Sri Krishna and a signet ring that is engraved with “Radha”. Radha’s Syamantaka jewel is also known as Sankhacuda-siromani” (Sankhacuda’s crest jewel). Srimati Radhika’s ankle-bells stun Sri Krishna with their tinkling sounds.

Besides jewels and gold, Radha wears a variety of flower crowns, necklaces, armlets, sashes, earrings, bracelets, anklets and blouses. Radha taught Lalita-sakhi how to make these flower decorations, which Radharani prefers over the jeweled variety. Srimati Radhika’s favorite crown is made from flowers and buds of five colours arranged in five points. The gopis also artistically arrange flowers to create five different kinds of earrings; resembling objects like a peacock, lotus, shark or half-moon.

“The glaringly effulgent tiara’s shimmering halo; beautifully sports in all directs stretching to the horizon. Glistening, sleek armlets, bracelets and necklaces refract a collective, flickering of jewel-like coronas. Hip-spanning belt of softly tinkling bells. Anklets charming musical chimes embellishing the majesty of Her divine lotus feet. Oh, my dear mind! Just worship the effulgence known as ‘Radha’”.

Srimati Radharani’s Clothing:

Wearing light-colored clothes during the full moon and dark colours in the moon’s absence, Sri Radha dresses to please Her beloved Krishna, and to facilitate Her nightly meetings with Her gallant lover, Sri Syamasundara. Radha’s favourite outfit is a “Krishna-blue” sari and shawl matched with a pink blouse that delights Sri Krishna.

“Radharani’s upper garment is red like a ruby, and it is the favourite of Lord Hari. Radha’s lower garment is the color of a blue cloud, and it is Her favourite.”

“Sri Krishna said to Sri Radha, ‘All glories to Your wonderful ruby-red silk sari. O Radha, this sari has doubled the passionate love I bear for You in My heart’”.

 Among Radha’s innumerable transcendental attributes, She has twenty-five principal qualities

1) Radharani is very sweet and most charming to look at;

2) Radha is adolescent and always freshly youthful;

3) Radhika’s eyes are doe-like and restless;

4) Sri Radha’s face is smiling and every blissful’

5) Auspicious, beautiful lines adorn Sri Radha’s lotus hands and feet;

6) Radharani maddens Krishna with Her fragrant bodily aroma;

7) Srimati Radharani is the most exceptional singer and vina player;

8) Radha’s words are charming and pleasing;

9) Radha is expert at telling jokes that delight Krnsa;

10) Srimati Radhika is exceptionally humble;

11) Radha is the embodiment of mercy and compassion;

12) Sri Radha’s intelligence and wit surpasses all;

13) Radharani is expert at performing all activities of love:

14) Shyness is the shining gem in Radha’s character’

15) Srimati Radharani is the beacon light of modesty and never swerves from the path of honesty;

16) radha is never perturbed by worldly sorrow or misery;

17) Sri radha has unbounded gravity and sublimity;

18) Radhika is ever fascinated to unite Herself with Krishna;

19) Radha possesses Mahabhava, the highest sentiments of love;

20) Radharani is the reservoir of loving affairs in Gokula;

21) Radha’s transcendental glories are shining in all the worlds;

22) Sri Radha is most affectionate to her superiors;

23) Radhika is submissive to the love of Her senior girlfriends;

24) Radharani is the chief among Krishna’s gopi lovers;

25) Radha always keeps Sri Krishna under Her control. Krishna submissively obeys Radha’s command.

“Jai Shri RadheKrishna”